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Chiastic Designs

Chiastic Designs in English Literature from Sidney to Shakespeare
Aldershot and Burlington: Ashgate (2009)

REVIEWS:
"William Engel has launched a provocatively suggestive approach that is also loaded with implication for exploring how literature from Sidney to Shakespeare may ‘suit the action to the word, the word to the action’."
     --The Review of English Studies 61:249 (April 2010): 292-94

“Engel creates nuanced interpretations because his chiastic designs are inclusive and adaptable.” [...] Engel offers readers exceptional sensitivity to the patterns of literature through ingenious discoveries with fertile analyses of constituting evidence.”
     --Renaissance Quarterly 63:1 (Spring 2010): 309-310

DESCRIPTION: Paying special attention to Sidney's Arcadia, Spenser's Faerie Queene, and Shakespeare's romances, this study engages in sustained examination of chiasmus in early modern English literature. The author's approach leads to the recovery of hidden designs which are shown to animate important works of literature; along the way Engel offers fresh and more comprehensive interpretations of seemingly shopworn conventions such as memento mori conceits, echo poems, and the staging of deus ex machina. The study, grounded in the philosophy of symbolic forms (following Ernst Cassirer), will be a valuable resource for readers interested in intellectual history and symbol theory, classical mythology and Renaissance iconography. Chiastic Designs affords a glimpse into the transformative power of allegory during the English Renaissance by addressing patterns that were part and parcel of early modern "mnemonic culture."

ADVANCE ENDORSEMENTS:

"William Engel's work is always learned, instructive, and adventuresome and Chiastic Designs is no exception. Engel uses his knowledge of biblical and classical authors and rhetorical writers of the Renaissance to reveal their reliance on chiasmus--the rhetorical figure of ABC:CBA, a double movement forward and backward--which results in patterned words and ideas including mirroring and echoic effects as well as ring structure and triadic designs. These principles of organization lead to a fresh understanding of how the works of Sidney, Spenser, Shakespeare, and Quarles might have been constructed."
— Arthur F. Kinney, Copeland Professor & Director of the Massachusetts Center for Renaissance Studies

"Building on his two richly suggestive previous studies, Professor Engel examines the chiastic patterning that was part and parcel of early modern mnemonic culture. In the process he considerably enhances our understanding not only of a wide variety of texts, but also of the philosophy itself of symbolic form."
— Michael J. B. Allen, Distinguished Professor of English and of Italian Renaissance Studies, UCLA


Buy this book

 Hardback | 165 pages | 3 illustrations